"Love to make music to"

Saturday, May 15, 2010

i never felt / quite like this


File:APowerlineTower.JPG

Playlist #2

These are much easier to put together than this website's standard "band name - picture - elegiac / lyric - few sentences - link to mp3" format and in some ways a lot more accessible, so I'm going to continue throwing them around.









By the by, if there are any Caribou fans out there check this out; a really great hour-long mix which Dan Snaith compiled for Allez Allez.

In other news, Call Up rehearsals continue in earnest, with about 6 or 7 songs fleshed out, following the addition of this beautiful SOVTEK Big Muff Pi from the 70's that Rob found at the Camberwell Market:


Thursday, May 6, 2010

i can't sleep with your memory

The Triffids


now we are seated / at separate tables

This song's one out of the holy trinity The Triffids recorded in London with the legendary John Peel for the Field of Glass EP. All of the three songs see McComb's muscular vocals wrestling with his own demons but it's here that he does so the most explicitly. Here, the band's immensely powerful sound veers and swerves between violence and quietude, rather than simmering away and eventually boiling over, as it does on the EP's 9 minute title track.



Deerhunter


pray with me

This track arrives here fresh from a live session on BBC 6. Frontman Bradford Cox is probably one of the most generous and articulate musicians out there when it comes to offering constant insight into his own work, process, and feelings. He's written elsewhere that when recording many songs (especially for one of the Atlas Sound solo records) he'll improvise lyrics but this song demonstrates the real difference between his own solo work and that of his band. The more precise drumming goes hand in hand with a better sense of direction that still serves as a vehicle of Cox's flair for heartfelt melodies. The only bad thing about this track is that - like Hot Chip's cover of Wiley - BBC 6 still manage to find the only people in England with unattractive voices to introduce these pieces.



Foals


made love to my pillow / but it didn't feel right

Foals have their new album Total Life Forever out (or at least a promotional release is doing the rounds) and although I was a bit worried around a month ago that their singles were heralding a worrying change in direction, the record is solid gold. Impossible to say whether it tops Antidotes but it neatly bypasses the sophomore curse that has haunted so many artists, and is at least on par with their first full-length. I was even getting a bit of an In Rainbows vibe listening in stages (did the drums remind me of Radiohead: Live from the Basement?) and it's interesting to note that both bands share obscure influences like composer Steve Reich. Unfortunately, just as I was about to post something from TLF I came across this Police cover that Foals recorded on Radio 1 earlier, and because of the enormous unspoken debt I owe to Sting for steeling my resolve in the Black Cat nearly a year ago, have this instead.



Girls


fucked in the head

A great song from a great album (Album) that well and truly lives up to the audacity of its title. Although Girls are born out of truly fucked up lives they're keen for this not to overshadow their work, and thus instead of dominating tracks like these the vocals instead underpin rich guitar and percussion. Video clip does not leave anything at all to the imagination (think penises being used as microphones).



The Smiths


heifer whines / could be human cries

I've been delving back into my Smiths collection looking for an elusive six or seven songs to polish off History Boys sound cues and bits of a live version of this title track from one of their few non-compilation albums are promising.


Friday, April 30, 2010

can't i cry / for you?



how to donate blood / on an empty island









Most of these songs (apart from Born Slippy) come from Bradford Cox Micromixes that I chop up into individual songs for my own listening pleasure, but because artists like the highly-recommended Privacy are so hard to find (even though she's on the same label that puts out some of Dirty Projectors' work) I thought I'd share them on here.

Monday, April 26, 2010

knock knock / on the door


Ariel Pink's Haunted Graffiti


not any more

Pink's new album Before Today leaked a few days ago and while it's definitely a lot less lo-fi than previous LPs like 2005's Worn Copy his new sound really allows the lush melodies to shine through. This is one of the more whimsical numbers, and also one of several that will bring to mind Bowie comparisons:


Ilyak

http://i39.tinypic.com/9j2jqd.jpg

he takes her to the point / where she can't take it any more

Featuring fantastic production for such a relatively underground artist is this EP from Melbourne hip-hop up-and-comer Ilyak. I've seen him put on a great show supporting Project Puzzles at the Revellers about a month ago but in his own right he shines in these recordings. Forgive the box.net download links - download the entire ep from here.




The National


venom radio and / venom television

The National's new album High Violet has been released in one form or another in the last few days but this single was one of two that had official release dates beforehand. It's great for plugging in for a downhill ride home from uni if you're mad enough to drink the dangerous cocktail of bikes and headphones (the "Organ Donor", if I really want to stretch this out).


Monday, March 22, 2010

a hero now / a hero then

The Smiths


wrap her up in the news of the world

It's been a while since I put anything on here but was prompted by the singer of Toyota War mentioning this site to me the other night without knowing I ran it. Most of these have been running around my head lately for different reasons, mainly because I've acquired a few different compilations that I eventually filter out - this song comes from the kings of compilation albums, The Smiths, taken from 1987's Louder Than Bombs.


Raymond Scott

the name of the game / is lightworks

I first came across this innovator of electronic music on J Dilla's album Donuts, where he's sampled on the song Lightworks, but then I found out he's written a whole bunch of stuff - most notably the Looney Tunes theme - but also a great back catalogue of advertisements and other instrumentals called the Manhattan Project.



The History Boys

one fucking thing / after another

I walked around with the original 20 or so songs which seemed pencilled in for MGS' August Production of The History Boys but a few weeks ago I went through my entire library and threw up a few more possibilities. If you're familiar with the play this song below (which I found on Art Decade two or three years ago) is a possibility for something like Irwin's TV theme (from 0.39 onwards for less than a minute or so).


DJ Shadow

and here's a story about / being free

I realize the irony of riding a bike while listening to Organ Donor but still continue to play the best songs from DJ Shadows two first albums on the way to and from uni every day; these two come from The Private Press.




Big L

ducks better scat / when the gat goes click clack

George put me onto Big L's first album Lifestylez Ov Da Poor & Dangerous a while back and its hard-hitting power restored my faith in non-instrumental hip-hop.



Caribou

sun / sun / sun

Finally, some recently-released breakbeat magic from Caribou's latest album Swim, which I highly recommend.



In a day or two we're going to record about four demos of the songs that we've been working on over the past month or so - Birthday Ballot EP? - so I might throw those up on here then if the quality's alright.

Saturday, January 23, 2010

i'm not the man / they think i am at home

Kate Bush

she packed my bag last night / pre-flight

This song's a great cover of Elton John's classic by Kate Bush that launches itself into a stratospheric calypso rhythm about 45 seconds in. Kate's also unafraid to keep the lyrics unchanged, so the track doesn't suffer from the transposed gender-bending that blight covers the world over, somewhere.

Kate Bush - Rocket Man (Elton John cover)

Jay-Z and Notorious B.I.G. (remixed by RATATAT)

there's always too much / for me to have enough

I'm a big fan of both the RATATAT mixtapes, and this track from the second would be my favourite.

Jay-Z and Notorious B.I.G. - Allure (RATATAT remix)

Paul McCartney


she could be a neurosurgeon / if she's doing nothing urgent

Paul. Solo. Electronica.

Paul McCartney - Temporary Secretary

Lindsey Buckingam

i should ride / on the double

Having gone his own way from Fleetwood Mac, Lindsey Buckingham pursued a successful solo career culminating in the album Law and Order (which he's posing next to above) and specifically in this single, which features drumming from former bandmate Mick Fleetwood.

Lindsey Buckingham - Trouble

Tom Tom Club

it's ok / i've overstood

Tom Tom Club were a side-project of several Talking Heads members, best remembered for the single Genius of Love. This is a personal favourite of mine, along with the Lorelei.

Tom Tom Club - Wordy Rappinghood 12"

Beach House

are you coming home / are you still alone?

Beach House's third album Teen Dream is now available in full and I thought I'd post this song again in its lush album version.

Beach House - Used To Be (Album version)

two / can be as bad as one

Like Radiohead's Videotape, One proves how simple truly great music can be.

Harry Nilsson - One (Is The Loneliest Number)


Pitchfork did a 60's list a while back and I found this there, and have no plans to let it go.

Francoise Hardy - Tout Les Garcons Et Les Filles

You would have heard the synth line on this more times than you think, whether it was interspersed between Relax (Don't Do It) in the final sequence of Zoolander, or coming out of Kenneth Parcell's boombox as he did some street-performing in his neighbourhood.

Herbie Hancock - Rockit

Thursday, December 17, 2009

Ain't a damn thing changed

It's my post zero at Cellosun as the first and latest, up-to-datest (single), most expatiated, least precedented unique-George-scented contributor reshackler and expander of musky tabernackle-ah, popping like snap-crackling smack to bring us back from the lack of athletic rhyme attack, sort of — and other shit.

PART 1:
"Plus my voice is fucked, so when I say 'oh!', I want y'all to say 'oh!'"


Phased from your original plan, you deviated,
I alleviated the pain, with a long-term goal,
Took my underground loot, without the gold -
You sold platinum round the world, I sold wood in the hood,
But when I'm in the street, then shit it's all good


Pharoahe Monch @ Meredith Music Festival, 12/12/09
featuring
DJ BOOGIE BLIND, Showtyme, and Mela Machinko

For me Pharoahe Monch was pretty much on par with Why? for my 10 hours sleep from 60 at/around Meredith experience, and far overshadowed my enjoyment of the likes of Animal Collective — queue no-name canvas shoes, one speeds and moleskine diaries thrown at my head and missing because the limp-wristed motor skills of hipsters are sapped by the restrictions of jean-like tights and malnutrition.

Not merely a product of some serious delirium, it was an amazing set - despite being 3:20pm - especially with Boogie Blind from the X-Ecutioners (sporting an Obese Records t-shirt), with a seething, jumping fist-pumping, straight shoulder hand-slamming Egyptian-jamming crowd standing - obviously with the most well-known
Simon Says as the final track making the hip-hop-headed angels look down upon the Supernatural Ampitheatre and weep with joy. The end of Monch's Australian tour, nice going if you didn't go to Meredith or see him at Prince the night before...typical you.

The X-Factor Boogie Blind, go investigate


Bush-bashing to Falls went horribly wrong for Monchhichi

Pharoahe Monch and Mos Def freestyle:




PART 2:
2/5 of Why? at Meredith

Why? at the East Brunswick Club, Tuesday 15/12/09
with Aleks and the Ramps, and Parking Lot Experiments


My second time seeing my favourite band in four days — Yoni Wolf asked where my karate kid headband had gone...it's not...I don't think of—well, it's not the biggest deal, per se...that he remembered...but, um...you know. My week was still pretty great. I guess.
Their set differed from Meredith's by including a few more from
Eskimo Snow and Elephant Eyelash - Into The Shadows of My Embrace was replaced with Eskimo Snow and These Hands, and a few such as Yo Yo Bye Bye, Sanddollars, and Brooke & Waxing, Good Friday, and Gnashville were added.

They finished with
21st Century Pop Song by Hymie's Basement, a collaboration of Yoni with Why?'s guitarist etc. Andrew Broder also from Fog - it sounds exactly what it sounds like, pretty good. Then they participated in the East Brunswick Club trivia night. What a band.


Aleks and the Ramps

"I have this recurring dream where Ol' Dirty Bastard comes and teaches me tai chi, this song is about that." - Aleks

...So, I can't remember which song it was, but...still..you know? Man? Okay, just the obvious then:

You may have heard it on Triple J, but the chances of this decrease immediately if you have never listened to Triple J. They were heaps of fun and funny with the whole between-songs-banter thing so for Melbourners, go see them wherever they're playing next.
________________

As Big L said on Put It On: "And I'm out, I'm out, I'm out, I'm out..."