"Love to make music to"

Friday, September 18, 2009

all mine / all mine / all mine

The Triffids

David McComb

come ride / come ride / this pleasure slide

In the first half of this I'll be throwing you in the deep end of the swimming pool that is Australian post-punk, indulging in a lot of Triffids, before trying to balance that metaphor with the circus-style, literal balancing act of Canadian husband-wife italo-disco. And if you think focussing on Australian music is bad, be thankful I'm not including any Essendon Airport...this time.

The Triffids' lead singer, David McComb, died in 1999. Even if the complications from a car-crash injury that eventually killed him, he had spent many years gradually tipping himself over the edge through alcohol and heroin abuse, to the point where he needed a heart transplant at the age of 34.

It's so easy to overlook this branch of Australian music and its influence across the world, even while bands like The Saints are far more acknowledged. It's a strange fate suffered by post-punk bands like the Triffids but overwhelmingly like Gang of Four, to be immensely influential, loved by today's most famous artists (U2 and Chilli Peppers for Gang of Four, Leonard Cohen and Nick Cave for the Triffids) but now largely ignored, and also telling that the Triffids record label, Domino, is now host to artists like Franz Ferdinand. Incidentally, as a hypocritically responsible digital citizen I've started including links to places where you can buy albums that songs featured are taken from. But either way:

This first song was recorded by the legendary John Peel for the Field of Glass EP; its certainly longer than many of the band's other works but is easily one of their best. McComb shows here why he was held in the highest regard by artists like Leonard Cohen and Nick Cave, and established himself alongside Cohen, Dylan, and Morrissey as one of the best lyricists of the 20th century.

The Triffids - Field of Glass

Domino Records - Beautiful Waste and Other Songs

The following don't do the same justice to the singer's voice or even to the band itself, but are of interest in terms of watching the band's development throughout their early years. The tracks are all ripped from cassette tapes released by the band and as such the quality leaves much to be desired, but they're still great even if you're unfamiliar with the Triffid's work. Instead of giving you a link to somewhere you can buy them all, because there isn't one (unless you count here), go and check out Vagabond Holes and Beautiful Waste, two books recently published, the first a collection of essays and other writings about McComb and the other a collection of his poetry.

And bless whoever was obsessively kind enough to put all the pictures of the tapes themselves alongside track listings on Wikipedia.

Tape #2

you're such an authority / and all

Tape #4

she thinks she's a natural / but i think she needs tuition

there's a six-car pile up / on memory lane

The Triffids - Pile Up

Tape #6

now the orderlies / take your elbow

Lime
a moment / like forever

This should be what you need if you've been driven into a state of high maudlin by West Australian melancholy. I could really go for one of those lime spiders right now...

Lime - The Party's Over

Lime - Greatest Hits

Panda Bear

tried to tell me / how to do it

Hopefully the shark won't get him before Meredith and AC will play Comfy in Nautica as part of their set...

Panda Bear - Search for Delicious

Panda Bear - Person Pitch

Television


i remember / how the darkness doubled

Ten minutes of brilliance from 1977.

Television - Marquee Moon

Television - Marquee Moon

i cannot say for sure the reasons for his decline
- David McComb, "Tender is the Night"

Thursday, September 3, 2009

i'll be your mirror / reflect what you are


The Flaming Lips


she keeps wishing / for a secret society to call

The Flaming Lips are releasing their album Embryonic in the near future (already tipped by some as their White Album equivalent, slightly sad we had to wait for their 12th until this happened), and if the three songs they've released are any musical litmus test then it should be very good indeed. Here's one of them, getting a lot of airtime on JJJ at the moment.



Moby


don't speak to me that way / don't ever let me say
Moby is headlining this year's Falls Festival alongside the Yeah Yeah Yeahs (I would love to see them both, but bearing that in mind I'd even rather see both Animal Collective and Why? at Meredith, but that's another saga in a sentence...), and I include two songs of his latest album below, as well as Alice from Last Night, which I have a tendency to overplay on my earphones while wandering around, absently tapping the rim of my coffee cup, before performing.





J Dilla

anyone could see / you're the one for me

There are a lot of very dedicated J Dilla fans out there who would happily devote their entire lives to reconstructing his immense back catalogue. I'm a bit different: I hate his pure hip-hop. What a heretic! But hear me out.

His sample-driven work - most notably the album Donuts - is sheer brilliance, and the extent to which it is immensely, superlative-most-heavily good, just emphasises how shallow a grave his other work digs in the disco-topography. These very short song snippets below are by no means well-known, as I had to get them from the musical-acquiring equivalent of "the back of a truck": short (all a minute or less) sample-heavy songs from tape recordings which showcase his immense talent. Track 27 from 3 Beat Tapes in particular is quite special: enjoy!

J Dilla:







Hot Chip ft. Robert Wyatt and Geese


what is it i don't remember / made my being so much better

I spoke about touching coffee cups earlier, Rob took it to heart...Hot Chip re-imagined several of the more quiet songs from Made in the Dark with the aid of Robert Wyatt and the interspersed remixing talents of Geese on a four-song EP. According to their Twitter their newest and keenly awaited album is "in a brown paper bag on two USB sticks"; yet another reason to love the interweb.

Hot Chip ft. Robert Wyatt - One Pure Thought (Geese remix)


i really want to watch diva again

Sunday, August 2, 2009

will all my unused seed / collect like mercury?

Why?
the rain does not respect statements / why should i?
I heard that Why?'s latest album, Eskimo Snow, had leaked on Thursday morning from George, who had heard it from Jack, and who both can be found here. Look, I'll be honest, as Jack has mentioned over there, blogging music before its being officially released is about as low as you can go, and pointing out that its all over the Internet, especially at Hypemachine, doesn't seem like much of an excuse. However, in defence of what I'm about to do for one song only, this isn't like when a really bad version of Veckatimest leaked, or even like when the vinyl rip of Merriweather Post Pavillion found its way onto here a few months shy of January 2009, in the first case because this isn't a really shoddy version (and plus, Why? > Grizzly Bear), or a vinyl rip (which doesn't really prove anything at all).
Anyway, to cut a short story long: Why? are amazing, Eskimo Snow is amazing, and I like the direction they've moved in, even if it is away from the trip-hop that's cemented their place in every true hipster's Ipod. Here, by way of a sample which will induce you to buy the album when it comes out, is Against Me, my personal favourite in terms of Yoni Wolf's writing.
Serengeti and Polyphonic


not feeling patriotic makes you really not wanna learn / pack up little gram bags like you’ll never have a turn

Just in case you're one of those trip-hop obsessives, and that with Why? moving off into the horizon you'll need to grip your copy of Alopecia ever tigher...do not despair! Why?'s Anticon colleagues have released their latest album and here, fittingly, is a Why? remix.

My Patriotism (Why? Remix) - Serengeti and Polyphonic

Thom Yorke

nobody looked me / in the eye

Nothing Thom Yorke or Radiohead does can ever be bad, and bearing that truism in mind here's a Mark Mulcahy cover Thom recorded. I was thinking about blogging Thom's newest original song which he played at Latitude, but the live recordings are really bad (not as bad as Alley Cat, but anyhow) and so I'll hold out until a studio release.

All For The Best - Thom Yorke

Simian Mobile Disco ft. Alexis Taylor


there's nothing there / holding me

Simian Mobile Disco won't be releasing their next album for a while, but neither will Alexis Taylor's Hot Chip, and that's not their only common ground; Alexis has sung on SMD's forthcoming album, and its catchy, and its summer, and its winter and its autumn into the bargain, and here it is.

Bad Blood (ft. Alexis Taylor) - Simian Mobile Disco

On the Snuff Box next time!

Someone Still Loves You Boris Yeltsin!

Flaming Lips!

Miike Snow!

The Fabulous Four Skins!

Ladies!

Whiskey!

Plea-suuure!

Friday, July 10, 2009

i would like to give you / what i think you're asking for


In this edition of Cellophane Sunset, a mixed bag of four songs which are rotating highly for me at the moment...

Bibio



This soaring summer jam does strange and powerful things to my speakers...this is definitely my favourite track from Bibio's latest album, Ambivalence Avenue. The album itself has been described as an eclectic mix of J Dilla, the Mamas and the Papas, and everything in between, and is well worth checking out by dint of this song alone.



Mos Def

quiet dog / bite hard / my god

Mos Def released his latest album The Ecstatic rather lately and after a few listens this is the song I keep coming back to, even if I wouldn't leave my children with it...simmer down now!

Mos Def - Quiet Dog Bite Hard


Sparklehorse and Danger Mouse

every night / it's gone

The result of a collaboration between producer Danger Mouse (famed as one half of Gnarls Barkley) and solo muso Sparklehorse. Their album Dark Was The Night features cameos from other artists on each track, ranging from The Flaming Lips to Iggy Pop himself. This one in particular showcases the talents of The Strokes' Julian Casablancas.


Sparklehorse and Danger Mouse - Little Girl (ft. Julian Casablancas)


Faux Pas


Faux Pas is a Melbourne musician who makes music using his computer, and has a rather entertaining blog here, which has only recently blossomed back to life. New tracks of his are surfacing on the web in such locations as silence is a rhythm too but I thought sharing one of my favourite songs of his would be more appropriate and thus chose Dorothy's Finger below in its full, non-demo glory, after it narrowly edged out his classic Changes, which saved me through its airtime on Triple J during a long family holiday...on a boat (talk about yacht rock!)
Enjoy.


Faux Pas - Dorothy's Finger

Wednesday, June 24, 2009

not in our stars / but in ourselves

In this edition of Cellophane Sunset: Angus Stone's solo emancipation from his sister under the name Lady of the Sunshine, a 17 minute ambient masterpiece from Brian Eno, live Animal Collective and a dash of infectious post-punk from Essential Logic. I promised myself I wouldn't do this again before I left but obviously I couldn't restrain myself...
Angus Stone - Lady of the Sunshine

Angus Stone, who I featured last issue in his capacity of his work with his sister, has put out a solo record under the name Lady of the Sunshine, recorded up near Coolangatta in a converted watertank. While I love the work the brother and sister team put together, this solo effort is equally special. I was listening to an interview with Richard Kingsmill today in which Angus talked about recording in the watertank, with the stones soaking up the noise of the drums, and it really formed a clear image in my mind of what he'd set out to create. The album Smoking Gun varies between quiet, reflective songs of the kind he and his sister are famous for, and louder tracks, spurred on by his father's Telecaster. Something about the beginning of Jack Nimble has subtle Triffids vibes for me, as well, something to watch out for...
Brian Eno
Ambient 1: Music For Airports marked Eno's departure from the sound of Roxy Music and Talking Heads, and massively acclaimed albums like Before and After Science. There are only four songs of which the one below is the first, but they are all quite long (this one weighs in at 17 minutes). I've written before about Eno (the song Not Yet Remembered) and his efforts in his ambient work to strive towards organic minimalism, the kind of music you can have on in the background but instantly connect and grapple with if you choose, and I've put this on here just to give anyone out there with a receptible mind an insight into such music.
Live Animal Collective

you've got to get rid / of your money
I have to stop blogging AC, or come to think of it, any of the bands that fill up my last.fm top 8 (Radiohead, of Montreal, Hot Chip, Why?, Faux Pas, Gang of Four, The Triffids, J Dilla, Animal Collective and The Smiths, since you asked). But nevertheless, I came across this live set over at nyctaper (link below); exquisitely recorded and with great transitions between tracks. For fans of AC check out the site as there's some great versions of their older songs such as Slippi and Fireworks lurking in this set. I chose to share this song purely because they didn't play In The Flowers and as such this one took line honours in terms of personal favouritism...enjoy!
(recorded by nyctaper)
Essential Logic

fanfare in the garden / circus in the sun

I'd forgotten I had this elusive post-punk track, ripped off an old NME tape by the very cool dalstonoxfam blog (check it out, very good concept), but it came on shuffle on the way to my formal and I promised Abbey it would surface here.

Fanfare in the Garden - Essential Logic

I'm really going to take a break now, I swear.

this night / has opened my eyes

Angus and Julia Stone

they brand you with the fire / and push you into the sun

One of my favourite songs, from the brother-sister duo of Angus and Julia Stone, who I was introduced to in slightly unbelievable and very memorable fashion in a mysterious set of circumstances detailed in my English Creative SAC. But that's neither here nor there, and in any case the song on that occasion was Paper Aeroplanes, which fills me with poignant dread even now. I tried to get Stef to play this out the front of Piedemontes once but Calum came back early, tragedy. The perfect soundtrack for those early mornings spent struggling to break free from the grip of dreams.


David Bowie

andy warhol / silver screen / can't tell them apart at all

I've always been a big Bowie fan, especially of songs like Moonage Daydream and Letter to Hermione, but this one is slightly more left-of-field, taking as its subject matter Andy Warhol and subjecting him to intense acoustic orchestration. Be sure to let this play through the intro, which is slightly off-putting...

Andy Warhol - David Bowie

Isaac Hayes


I have a few covers of this song as well as the original recording from Dionne Warwick but this is far and away my favourite one, and on an equal footing with another similar cover performed by Isaac, The Look of Love, which I'll get around to posting at some point.



Grizzly Bear

always the same / i know

Grizzly Bear have been subjected to some intense echo-chamber effect, in terms of blogging, which is why I've held off for a while. What I mean by echo-chamber is that the hype on certain machines (you see what I did there) has been so prolific that its become hard to see where blogs containing Grizzly Bear end and the rest of the Internet begins. That said, here is Cheerleader, my equal favourite track (tied with While You Wait For The Others) from their latest album, Veckatimest

The The


i've got you under my skin / where the rain can't get in

The glorious return of The The to these electronic pages following their glorious debut back in This Is The Day. I heard somewhere that this particular song clocked in at #4 on one of Triple J's "Greatest Songs Of All Time" lists and its easy to see why, or rather hear why (unless you're one of those visual-auditory people, with small, carney-folk hands). Johnson's sublime lyrics reach the crescest of endos alongside the guitar of someone who is possibly the great Marr himself (I'm not altogether sure whether he had arrived in the band at this point). Enjoy.

Uncertain Smile - The The

unmade love / i'm not getting any stronger

Thursday, June 11, 2009

so if i seem / broken in two

The Triffids



beautiful waste / stupid feeling

The Triffids' track Rosevel was one of the first ever to grace the pages of this blog, although admittedly the indian-healing-chant-inspired Witchi Tai To will forever hold first pride of place in this little electronic cave.
I usually assosciate bands I'm really familiar with in relation to specific time periods when my love for them was greatest; for example, year 8 marked a prolonged and unexpected Bob Marley phase, while the beginning of year 10 and all the tempestuous storm clouds that gathered over Gippsland at that point was marred by a love of 2-tone ska band Madness. However The Triffids have always just seemed to be there, ever since I started taking music seriously, and Beautiful Waste below is one of my favourite songs of theirs, from the album Australian Melodrama. McComb's lyricism combines with his band's rhythm section for something truly heart-rending and spectacular.




Animal Collective / Panda Bear


i feel alright / i found a place that fits right...

nimal Collective are another band that's always been there for me, banging away on their peacedrums at the edge of my psyche. The two songs below are from their acoustic-heavy period, predating the hugely successful release of Merriweather Post Pavillion at the beginning of this year. The Softest Voice can be found on Sung Tongs, while singer Panda Bear's Untitled #3 is from his album Young Prayer. The Softest Voice just might be the perfect soundtrack for drifting into oblivion.




...it feels small / but i won't get sad about it


Nina Simone


southern trees / bearing strange fruit

My history teacher played this for us last year, (in addition to the entirety of Arlo Guthrie's Alice's Restaurant...) and I was enthralled from start to finish. This song has been covered so many times, even by artists like Siouxsie, which indicates the relevance of its subject matter to the American consciousness if nothing else, but here Simone's voice takes it somewhere special.



Fleet Foxes

you walk along the stream / your head caught in a waking dream
I really like these guys but have never listened to them with the diligence that they deservep; here is Your Protector, coming home.

i see a house / a house of stone

I'm not really sure what kind of headspace I'm in right now, but soul in all its forms seems to be doing the trick. If forced to specify further a mixture of some of the acoustic Animal Collective above, some soul in the form of either this or Isaac Hayes' cover of Walk On By, with just the whisper of electronic harp, would be an accurate mental cross-section at the moment.
My ramblings finished, I highly recommend the song below; hopefully it'll have the same effect on you.

It's been raining / for so long
- Dragon